Ranging from postwar Japan to the present, Tuhus-Dubrow tells an illuminating story about our emotional responses to technological change. In Personal Stereo, Rebecca Tuhus-Dubrow takes us back to the birth of the device, exploring legal battles over credit for its invention, its ambivalent reception in 1980s America, and its lasting effects on social norms and public space. But the Walkman was also denounced as self-indulgent and antisocial-the quintessential accessory for the "me" generation. Her writing has appeared in Slate, The Nation, the New York Times Book Review. "When the Sony Walkman debuted in 1979, people were enthralled by the novel experience it offered: immersion in the music of their choice, anytime, anywhere. Rebecca Tuhus-Dubrow is a Contributing Editor at Dissent. Novelty : Tokyo Telecommunications Research Institute Trapping sound The Walkman's fathers The case of Andreas Pavel Invention or evolution? Enter the Walkman "The thinking man's box" The Walkman, culottes, and moccasins : "Outside of reality" - Norm : Hear muffs and baladeurs Symbol of the 1980s A public health problem Death by Walkman "Home taping is killing music" "First, drug abuse now, earphone abuse" "There is no such thing as society" A nonstop masturbational fantasy Fondalepsy and Walkman's oblivion Cosmetics, Walkmans, and Mars Bars "Remember Pearl Harbor" The management of everyday life A listening, enjoying unit What would Miss Manners say? - Nostalgia : Music wants to be free The iPod arrives Whatever happened to Sony? From crazy to normal, from glares to shrugs "I only listen to cassettes" Why the analog nostalgia? Revenge of the Walkman A force that bends logic 1 online resource (142 pages) : illustrations
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